Tiny house plays: tickets available now!

A few weeks ago, we announced something we’re really, really excited about: the local playwrights and actors of Pinky Swear Productions taking over our lot this autumn for the first-ever Tiny House Plays: real theater taking place inside real tiny houses. Well, it’s a few weeks later, and tickets are NOW ON SALE, so go get ‘em here.

Details!:

Pinky Swear Productions Presents: TINY HOUSE PLAYS

13 actors. 6 playwrights. 5 plays. 3 very small houses.

Set in and inspired by Boneyard Studios, a charming tiny house community in Washington, DC, these funny, poignant, sometimes provocative stories touch on the important questions: Is there an afterlife? Is gentrification bad? What do you do when the Grim Reaper comes to dinner and just won’t leave?

TINY HOUSE PLAYS invites the audience to travel from house to house, story to story, peeking in on neighbors as they live, love, break up, move on — and sometimes find themselves right back where they started.

***IMPORTANT***

Because of the unique nature of this production:

*NO WALK-UPS. All tickets must be purchased in advance.
*Please arrive no earlier than 15 minutes before the performance time.
*The location is outdoors and not wheelchair accessible. If you have mobility, allergy, or other concerns, please contact Pinky Swear before purchasing your ticket.
*Seating is not guaranteed. Some plays are standing room only.
*Parties may be split up.

_______________________________________________________

TINY HOUSE PLAYS

Concept and direction by Jessica Aimone*

With plays by Thembi Duncan, Ann Fraistat, Shawn Fraistat, Danielle Mohlman, Donna Rachelle, and Laura Zam

Featuring Nathan Alston, Clarissa Barton, Christian Campbell, Alexis Graves, Dexter Hamlett, Allyson Harkey,* Melissa Hmelnicky,* Georgia Mae Lively, Kevin O’Reilly, Lilian Oben, Stephanie Svec, Gray West, and Kimberlee Wolfson

* Pinky Swear Productions company member

September 27 – October 12
Saturdays and Sundays only
Showings at 1pm, 3pm, 6pm, and 8pm

Tickets are $20 a piece, and all proceeds go to the production company, six playwrights, and thirteen actors who have been working tirelessly (like, for at least the past six months) to bring this production to fruition. Please note that Boneyard Studios isn’t getting anything from this partnership beyond the privilege of being able to support local art, and the honor of having our tiny houses turned into tiny stages for the next month.

Hope to see you there! Once more, here’s that link.

Autumn events!

As the weather (maybe) cools and autumn quickly approaches, here’s a quick roundup of what’s going on at DC’s tiny house community over the next few months—

Near Northeast playing at a recent tiny house concert.

Near Northeast playing at a recent tiny house concert.

NOTE: While all Boneyard Studios events are (as always) free—though donations to support our featured local artists are greatly appreciated—the tiny house workshop and tiny house plays, facilitated by friends of the community, are charging admission to cover production costs.
 
Featuring Boy on the Wall, Takunda Matose, and Just Enough Education to DJ.
Show begins at 7PM. BYOB.
 
Weekend workshop hosted by architects, builders, and designers intimately involved in the creation of Boneyard Studios.
Workshop begins 8:30AM Saturday and takes place at Trinity University (with a visit to Boneyard Studios that afternoon)Limited to 30 participants.
 
Show begins at 6:30PM; BYOB.
 
Six local playwrights, five community-inspired plays, three tiny house stages.
Running 1PM, 3PM, 6PM, and 8PM every Saturday and Sunday. Tickets not yet on sale.
 
Our most popular and long-running event (over 5,000 served). Come tour the tiny houses in person, see the interiors, and chat with the designers and owners.
Houses open at 11AM.
 
Discuss simplicity in an enclave of tiny houses with the new Boneyard Studios book club. First reading: Leo Tolstoy, Family Happiness, available for free online or for Kindle.
Discussion begins at 3PM.
 
Featuring Catriona Sturton.
Show begins at 6PM; BYOB.
 
(All events are also posted to the Boneyard Studios Facebook and Google Calendar.)
 
Like what we’re offering and want to see more? Consider making a (much-appreciated!) donation to support Boneyard Studio’s expansion to bring even more local and creative and arts, architecture, and agriculture to the District. Or, bring your own creativity to Boneyard Studios: let us know if you’d like your art featured amongst the tiny houses, or are looking to use the space for a book reading, concert, poetry recital, seminar, or whatever else you can think of … it’s there for you to enjoy.
 
JAY_2948

Dee Williams discussing her ‘The Big Tiny’ memoir at a springtime book reading.

Tiny House Plays: coming Fall 2014 to a tiny house community near you

A few weeks back, we hinted at a big surprise coming to Boneyard Studios this fall. Here’s a little peek at what we have in store (be sure to follow Pinky Swear Productions to get the latest):

Six Playwrights. Five Plays. Three Tiny Houses. One Community. Pinky Swear Productions takes over Boneyard Studios this fall with Tiny House Plays.

Pinky Swear Productions is excited to announce a partnership with Boneyard Studios to produce Tiny House Plays, a series of short plays by six talented local playwrights.

Pinky Swear has long discussed the idea of producing site-​specific theatre in an alternative space. So when company member and veteran Pinky Swear director Jessica Aimone read an article about Boneyard Studios, she reached out to the tiny home owners. To our delight, they have enthusiastically embraced the opportunity to turn their tiny houses into tiny stages—and come fall 2014, audience members will join us on a journey from tiny house to tiny house, watching life unfold inside (and sometimes outside) each space.

For Tiny House Plays, Pinky Swear reached out to several local women playwrights and one brother/​sister team to pen short pieces on the theme of community, inspired by Boneyard Studios and the surrounding neighborhood. We are excited and proud to now announce our playwrights for Tiny House Plays: Thembi Duncan, Ann and Shawn Fraistat, Danielle Mohlman, Donna Reinhold, and Laura Zam. Together, they will create a shared world in which the characters’ stories are revealed simultaneously in each space.

Learn more at pinkyswear-productions.com. Tickets not available just yet, but stay tuned!

(As always, Boneyard Studios isn’t making any money from this partnership; we’re just looking to do what we can to promote local arts. To support our mission and our plans to expand to a new location where we can do even wilder and crazier things than bringing five plays to three tiny houses for twenty-five plus performances next month, consider donating here. Thanks!)

Boneyard Studios is expanding (and needs your help!)

Two years ago, three tiny house enthusiasts got together on a crumbling alley lot in Northeast DC and built the first intentional tiny house community in America. Since its humble beginnings in early 2012, Boneyard Studios has grown to more than just a few tiny homes: it has become a showcase, a music venue, a garden, a bike-in movie theater, and much more. Over the past two years, we’ve welcomed nearly 6,000 visitors to our lot for tiny house tours, tiny house concerts, tiny house book readings, and community work days, and we’ve kept them always—and forever—free. We want to keep fostering that community, to keep providing a free place for people to create and share, a place for more tiny houses, a place for local art, agriculture, and architecture.  We’re going to need more space.

So this year, the Pera House and the Matchbox (and any other tiny houses interested in coming along for the ride) are hitching up and traveling to lands unknown (somewhere in DC; we’re just not yet sure where) to repurpose another unused urban space, and to make it available for everyone to enjoy. But to make that happen (and to keep things free), we could really use your help. Here’s how:

Donate. Here’s a link. Please—if you’ve ever made it out to Boneyard Studios or if you haven’t and just want to support what we’re doing—consider clicking it and donating whatever you can to help us out. As a token of our appreciation, we’re offering the following to supporters:

  • Any amount: tons and tons of love and gratitude
  • $25: a personal thank-you card from Lee and Jay
  • $50: your name (or message) forever enshrined at our new space
  • $100: a personal tour of the houses for you and your friends or family (or both!)
  • $200: a night in one of our world-famous tiny houses (the Pera House or the Matchbox)

Help us find land. We’re looking for land within DC to lease or buy under a cooperative or land trust model—community land owned by the community. So please, keep an eye out for empty, unsightly lots that could use a little creative energy, or if you already have one in mind (or if you just so happen to own one), let us know.

Help us find people. If you can’t give money or land or tips about space in the city, maybe you know someone who can. We’d love to borrow your social network—if you wouldn’t mind facebooking, tweeting, or whatever-ing this page to your friends, that’d be awesome. Or if you know someone who might want to be more closely involved in our Boneyard Studios expansion, please put us in touch.

Expect much more in the coming months, and many thanks for two great years of support thus far.

<3,
Lee and Jay
Boneyard Studios

Fine print: Every dollar donated will be spent toward furtherance of DC’s tiny house community, and not a cent will be spent on the tiny houses themselves or kept by the tiny house owners. Instead, we’ll be using the money for things like community-accessible furniture, firepits, tool workshops, art installations, city permits, and—depending on the land we settle on—cooperative land leasing or ownership. For questions about donating, let us know.

CALLING ALL ARTISTS: Free exhibition time and space at Boneyard Studios

Boneyard Studios isn’t just about tiny houses; it’s about bringing together community, a space for builders and artists to create and construct. We do a bit of that through our popular concert series—featuring local musicians playing sets in, on, or outside of the tiny housesand a bit more with our budding film series (oh, and we also have a big surprise coming this fall). But between these events, we’d like to give youthe artists among or within youanother way to have your work seen and heard.

Roughly once a month, we host a free open house to show folks the tiny house community, and between 10AM and 1PM on those monthly Sundays, over two hundred enthusiasts from DC and beyond descend on the little lot with excitement and curiosity: a (semi-)captive audience. That’s where you come in.

Musician looking to share your songs? Come on by with a tip jar and do your thing while hundreds wander about the lot. Painter? Pull up an easel and get to work, and see if you can’t find someone amongst the visitors who likes your style and wants a commissioned canvas. Sculptor with some outdoor pieces? We’d be more than happy to display your art at the Boneyard during the tour, or leave it around for those who pass by outside of open house hours for however long you’d like. Local coffee, beer, kombucha brewer? People love free samples, and our guests are all yours.

We’re not asking anything in return for a little corner of the lot; just a heads up as early as possible beforehand so we know whom and what to expect. We just, y’know, want to support good art, local ventures, and you.

Click here for upcoming tour dates, and here to let us know if you’d like us to feature you or your work during the next open house.

Fine print: Boneyard Studios is residentially zoned, so we can’t have any open selling of goods or services on the lot. But donations are just fine, as is exchanging contact information with visitors for business later on.

A beginner’s guide to downsizing, part 4: Books and the rest

We keep most junk around for economic reasons: because we think we’ll use itbecause we think we’ll need itbecause we can’t accept a sunk cost or because we can afford to buy knick-knacks of no value. The last breed of junk, however, isn’t economic; it’s emotional.

#5: Books (stuff that you’ve [maybe] read once and will [probably] never read again)

I should begin by noting that I am nothing if not a bibliophile, a lover of literature and the limitless knowledge and entertainment books contain. But loving literature is not the same as loving books.

I have great friends with lovely libraries, cabinets and cases of texts and tomes, paperbacks and publications, hundreds and hundreds of bindings containing thousands and thousands of pages. It’s beautiful wall art.

But is it functional? Hardly. Think of all the books you’ve ever read. If you have a library, think of how many books you own. Now think of how many of those books you’ve read a second time. Some? A third time. A few? A fourth time. Maybe two, one, zero? Practically, personal libraries are overwhelmingly underused: a book purchased, read, and then shelved, never to be opened again. With over 130 million different titles in existence, the reader rarely returns to her collection. Rather, she adds to it—buy, read, shelf, repeat—and the library grows.

Many books, lots of space.


So what’s the harm? Space, for one—libraries take up a lot of room and are a pain to move. Finances—buying books costs money. And then there’s the environmental cost: books are, well, made from trees, and every new copy of a book requires new pages, new trees. My simple back-of-the-napkin estimate of Dickens’s A Tale of Two Cities, for instance (200 million copies at an average of 500 pages each, with a single sixty-foot pine tree yielding about 80,000 pages), has required nearly 1.3 million trees to produce over its long print-cycle—about 3% of the Amazon’s (the forest, not the retailer) present inventory. And remember, that’s just the impact of one (very high-selling) book.

But space and money and planet aside, perhaps the best argument for ditching the library is sharing. As with just-in-case junk (for what is a library but just-in-case-I-want-to-read-this-later junk?), everything we have is something someone else can’t have. When we hoard five hundred books just in case we want to reread five, we’re keeping 495 books from our community, 495 books that can be read not later, but now—right now. And let’s face it: if we care about a book enough to keep it, isn’t it inherently something we think others deserve to experience as well?

But how do we go about reading without amassing a library? Simple. We begin by donating our books—all those but the few we really, really, really believe we’ll read again—to real libraries, public libraries, libraries with free and open access to all. Or we build a little free library in our neighborhood and stock it with our best. Or we pass on our collection to a used books store, perhaps even sell them on Amazon (the retailer, not the forest) for a fair price. We keep the revolving door revolving.

Then, we get a library card. We check books out and check them back in, or we buy new books and sell them back when we’re done. Maybe we get an e-reader. Me, I’m partial to the Kindle Paperwhite (though I trust they’re all very good), finding it to offer quite a few benefits over the paper book:

  • It’s light. At under 8 ounces, an e-reader weighs half of an average paperback, and that weight doesn’t change for the epic novels. Infinite Jest and Cannery Row not only weigh the same, they weigh the same together—8 ounces on a Kindle, 2 pounds in hand. For travelers, e-readers are phenomenal; one can easily pack 100 books for a multi-month excursion, and stuff the whole collection right into their back pocket.
  • It’s … light. Speaking just for the Paperwhite here, it’s an absolute pleasure to read in the dark. With a soft, adjustable backlight that’s easy on the eyes, reading lamps, flashlights, and strained lenses are a thing of the past.
  • Books are affordable and available for all. With thousands of titles in the public domain—and many more free to download if you know where to look—e-readers have the potential to truly close the literary gap between the advantaged and the disadvantaged. Growing up with neither the money for books nor someone to take me to the library regularly, it’s heartening to see such open access to literature growing and evolving, but it depends on the support of all of us to continue doing so.


Of course, I’ve heard the arguments against them—but I love the feel of a book!, they smell so good!, or the entitled and illogical ramblings of Jonathan Franzen—and for a while, I believed them too (maybe not the Franzen bit). But the truth is, first you try an e-reader, then you get used to an e-reader, and then you prefer an e-reader, and the bookworm inside of you thanks you for it. The minimalist in you does too.

Many books, little space.

#6: Sentimental junk (stuff that we may or may not hold dear)

I won’t ridicule sentimental junk as I have junk’s other five forms, for our sentimental items are often those we’re most sensitive about. We give them value that transcends currency; often, we consider them irreplaceable. These treasured bits of ​our very selves adorn our home and warm our hearts—the very type of thing I’ve advocated for keeping around in the past—so I want to be clear that what I’m talking about here is not the urn or the photo album, nor the old rocking chair passed down through the generations. Sure, these are sentimental, but they are not sentimental junk.

Sentimental junk are those items we keep because we feel they should have value. Old holiday cards with more matter than message, ticket stubs we plan to scrapbook one day but never do, letters from lovers long gone, a final draft of a senior thesis or a diploma itself. In my own downsizing journey, these were the most difficult items to part with. But after the hesitance, recycling my diplomas and burning old correspondence felt cathartic, freeing, leaving my past alive in the only place it really exists and the only place it can be truly treasured: my memories.

And then, of course, there’s digitization. Yes, we can burn our letters and toss our photo albums and discard our physical encumbrances, but that needn’t be our only option. For we live in the digital age, an age of uploading and archiving, an age when the contents of a shoebox or a trunk can be preserved on a chip smaller than a fingernail. Perhaps flipping through digital albums isn’t quite the same as passing an afternoon in the attic perusing old photobooks, but hey: at least you don’t need an attic.

This post is the fourth of a series on living simply. More to come soon.
Cross-posted at Adventures in Simplicity.

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